The Holy Art レビュー 

Pay-to-Play vanity galleries that rely on fees are all scams, this one is no exception. They're toxic and incompetent.

I paid them 240£ to be part of a show last December and it was cancelled. They are giving me the run around and are refusing to pay me back. Total scam.
I am now taking them to small claims court. It is an awful experience.

I've had a wonderful experience with The Holy Art. I participated in the New York exhibition with my digital artwork, and it was an incredible opportunity to showcase my work as part of an international exhibition. I'm also a Holy Art Member, which has allowed me to become even more involved in this inspiring creative community.

What I appreciate most is what The Holy Art is doing for artists and creators around the world. It's truly inspiring to see such a premium platform remain accessible while providing opportunities to exhibit internationally. The quality of the exhibitions, the support throughout the process, and the team's passion for promoting contemporary artists make a real difference.

I'm grateful to be part of this community and look forward to participating in many more exhibitions in the future. A special thank you to Ghazal and the entire team.

Recently, I had the opportunity to participate in the Holy Art Gallery exhibition in London, and it was an amazing experience. The exhibition brought together artists and visitors from all over the world, creating an inspiring and vibrant atmosphere.

I would also like to express my gratitude to the event organizers for their dedication and professionalism. They were incredibly helpful, supportive, and attentive throughout the entire journey, making the experience smooth, enjoyable, and truly memorable.

Last week I exhibited one of my Still Life Fine Art Photography (Madeleine Still Life Creations) with The Holy Art Gallery at their "Metamorphosis" exhibition in Paris. It was my first time exhibiting out of my home country and it was an incredible experience. The team was so professional!! The gallery space in Le Marias, in Paris was beautiful with fantastic lighting that brought my artwork to life. Also very central to the artistic hub. They handled the curation and opening night flawlessly, attracting a wonderful crowd. I was quite nervous since it was my first time but the curators were very helpful and supportive. I look forward to exhibiting again with the Holy Art Gallery, which I highly recommend to both artists and collectors seeking exceptional art!

A really helpful, lovely organisation, who made the whole exhibition process fun and easy to navigate. The opening night of the London exhibition was great, it was so nice to network with so many like minded people, and all the work on display was amazing! I'm really looking forward to working with The Holy Art again in the future.

To all young artists, please think twice before spending money for nothing to exhibit by the Holy Art Gallery shows worldwide!
The show in Amsterdam ( participating fee 600eur! ) , was not announced and was not even mentioned on the website until about a week before the opening. The all “promotion” consisted in a couple of Instagram posts so the only visitors at the gallery were the artists themselves and their friends. The person who was supposed to represent the gallery at the opening had not the slightest idea of who the artist were and even less about their work. All together it felt no value for money.

Communication with the gallery was poor . I received a few repeat messages asking for payment after I had paid to exhibit. This is most certainly a vanity gallery that exploits emerging artists by making them pay high fees to display and very little emphasis on getting genuine customers though the exhibition. I am really disappointed with their lack of professionalism and underhand deliberate misguidance . Avoid at all costs.

I took part in a physical exhibition in Amsterdam, where my artwork was displayed and I was present throughout the event. It was a very inspiring and educational experience. I enjoyed connecting with other artists, sharing my work, and being part of a creative environment. I would highly recommend it.

It's a scam. They make ads saying there is no fee to submit - which is true - however there are fees to participate. Which is very sneaky as they accept everyone and weed out who does not pay the fee - essentially reinstating the fee to submit. Also they have a paid membership you can't cancel - they don't reimburse for shows that get canceled - and they give you $ off the fees for positive reviews. Do not trust this company at all. Their shows are packed to the gills and do not result in many sales for artists. You will be wasting your money and time.

I am a visual artist and often am left to share and submit work to galleries without ever knowing if the work will be accepted or not. In this case when exhibiting with "The Holt Art" gallery I was kept aware of the status right away and also the experience did not disappoint.
The opening event was well curated, designed and attended in a massive dedicated workspace.
In addition I felt as if my work was given equal space among the other traditional kinds of work displayed. This is often not the case when sharing a gallery opening with traditional work.
The Holy Art Gallery promised to deliver and did not disappoint in the least. I will definitely be exhibiting with them again in the near future.

I really enjoyed the exhibition. It was good to see a wide variety of art and get to meet some of the people behind them. I had the opportunity to exhibit my art digitally which was good however, it would have been nice to have it on a bigger more accessible screen and space for more people to view it (especially with how busy it got on the opening evening) Overall, it was fantastic though!

I had the pleasure of exhibiting with The Holy Art as part of their Paris exhibition, and it was a truly positive experience.
The exhibition was very well organized and the team was incredibly professional and supportive throughout the entire process. Communication was smooth and the whole experience felt carefully curated.
What I particularly appreciate about The Holy Art is their international presence and the opportunity they offer artists to exhibit in multiple cities around the world.I would absolutely be happy to exhibit with them again in the future.

My experience with the Holy Art left me questioning whether their priorities lie with the artists they represent or simply with revenue.

After submitting to one of their open calls, I was accepted with encouraging feedback and immediately received a payment link for the participation fee, yet no deadline was communicated at the time of application or in any follow-up. Assuming I had at least a few days to arrange payment (the exhibition was still months away), I was caught off guard when, on New Year's Eve, I received an urgent email demanding payment within 24 hours or my spot would be forfeited.

Once I paid, communication became noticeably slower. When I politely suggested they consider setting clearer payment deadlines upfront to avoid this kind of pressure, the response I received was dismissive and disrespectful, not what you'd expect from an organisation asking artists to trust them with their work.

What further eroded my confidence was discovering that they had been offering free exhibition spots in exchange for positive online reviews. This raises serious questions about the authenticity of their reviews and the integrity of their curation process.

I'm glad I've seen the red flags months before the exhibition so I was able to withdraw my participation. I'd encourage other artists to carefully consider their options before committing.

The Albareum Collective debuted as artists in February 2026 in London; Ms. Evelyn was so nice and helpful, and as far as artistic debuts go, we couldn't be happier. We look forward to further collaborations with the company in the future.

When I first learned of The Holy Art exhibitions in late 2025, I was drawn by two closely related sources of attraction. The first was almost purely intuitive; a gravitation toward the mission and logic of their being hosted in a wide range of major global urban centers of art and culture. But the second pertained to why this would be a source of appeal in my case. As a fine art photographer with ambitious objectives, I have also long sensed that the globally inspired, but eclectic - and some respects ancient - aesthetic provenance informing both my existing, and certainly my planned portfolios of work, might actually be more resonant among European and Asian cultures than in my own North American home. I started modestly, choosing to exhibit only virtually/digitally, and then in just two venues: Paris and Tokyo. The first just recently completed without significant problem or complication. The second is pending for this May, 2026. And I am already anticipating participation in other urban venues for future presentations. But to close, I would be remiss not to add one other factor that was decisive for me. I refer to the commentary about my work offered by Chief Curator and Founder, Evelyn Tsekoura, in response to my initial submissions. A cynic might have dismissed the complimentary observations she offered as merely a self-interested exercise to entice 'vanity gallery' payment of the participation entry fees. I did not. Though generous, her observations were far too incisive, and so spot on in terms of capturing what I am striving for, that they left a distinct impression of coming not from such an ulterior motive of ingratiation, but from sincere and authentic recognition and aesthetic appreciation. Since I am (at present) and unknown 'commodity' in the art world, I found her willingness to review with that kind of curatorial scrutiny, and then to go out on a limb by offering such encouraging characterizations to be courageous and to convey integrity and character. That matters.

The Holy Art was a pleasure to find, and work with. Being from New Zealand, it is fantastic to show work digitally around the world, professionally done with great comms.
Tink

I have collaborated several times with The Holy Art Gallery in various international exhibitions, and my experience has always been positive. Their team is active, professional, and genuinely involved, and the visibility they provided has truly supported the promotion of my work. I confidently recommend them.

It was a wonderful experience showing my art at the recent London Exhibition. A massive thanks to Evelyn and all at The Holy Art Gallery for their time and attention to detail ensuring all went smoothly. The exhibition featured a wonderful mix of talented artists all brought together by the the high professional standards of the Holy
Art team. I would recommend them to any artist and I'm sure this will not be the last time I work with them.

i've been in 4 countries so far with holy art and have had nothing but an incredible time. it feels amazing to just be an artist and have my work truly appreciated.